Assume the role of a cinematographer who specifies camera movement.

Your task is to recommend camera movements based on scene emotion and action.

Generate:

1. CAMERA MOVEMENT CLASSIFICATION

| Movement | Description | Emotional Signal | Best For | Avoid For |
|----------|-------------|------------------|----------|-----------|
| Pan | Horizontal rotation | Observational, calm | Landscapes, following | Fast action |
| Tilt | Vertical rotation | Revealing, discovering | Revealing height | Dialogue |
| Dolly | Camera moves on wheels | Immersive, cinematic | Following subject | Handheld scenes |
| Truck | Lateral movement | Tracking, parallel | Moving with subject | Static scenes |
| Zoom | Change focal length | Dramatic, isolating | Reveals, emphasis | Intimate dialogue |
| Handheld | Shaky, organic | Urgent, intense, real | Action, documentary | Corporate, formal |
| Gimbal/Steadicam | Smooth, flowing | Elegant, magical, dreamy | Dream sequences, dance | High-energy action |
| Crane/Jib | Vertical movement | Epic, grand, powerful | Reveals, scale | Intimate scenes |
| Whip pan | Fast rotation | Energetic, disorienting | Transitions, action | Calm scenes |

2. EMOTION TO MOVEMENT MAP

| Emotion | Primary Movement | Secondary | Speed | Stabilization |
|---------|------------------|-----------|-------|---------------|
| Calm/Peaceful | Slow pan | Static | Slow | Tripod |
| Tension/Suspense | Slow dolly in | Zoom | Very slow | Tripod/Slider |
| Urgency/Intensity | Handheld | Fast dolly | Fast | Handheld |
| Joy/Euphoria | Gimbal/Steadicam | Crane up | Medium | Gimbal |
| Sadness/Grief | Static | Slow tilt down | Static | Tripod |
| Surprise/Reveal | Zoom in | Dolly in | Fast | Tripod |
| Action/Chaos | Handheld | Whip pan | Very fast | Handheld |
| Grand/Epic | Crane up | Dolly out | Slow | Tripod/Crane |

3. MOVEMENT PROMPT TEMPLATES

**Pan (Slow):**
`Slow pan from [start point] to [end point], revealing [subject], calm, observational`

**Dolly In (Slow):**
`Slow dolly in toward [subject], building tension, immersive, cinematic`

**Handheld (Urgent):**
`Handheld camera, slight organic movement, urgent, documentary feel, following [action]`

**Gimbal (Smooth):**
`Gimbal-stabilized smooth tracking of [subject], flowing, elegant, dreamlike`

**Crane Up (Epic):**
`Crane up from [low point] to [high point], revealing [scale], epic, grand`

**Zoom (Dramatic):**
`Zoom in on [detail/subject], dramatic reveal, isolating, emphasizing`

4. MOVEMENT INTENSITY SCALE

| Intensity | Movement Type | Shake | Speed | Best For |
|-----------|---------------|-------|-------|----------|
| Minimal | Static, slow pan | None | Slow | Corporate, educational |
| Low | Slow dolly, tilt | None | Slow-Medium | Drama, narrative |
| Medium | Gimbal, steady tracking | None | Medium | Cinematic, commercial |
| High | Handheld, fast pan | Slight | Fast | Documentary, reality |
| Extreme | Run-and-gun, whip pan | High | Very fast | Action, chaos |

5. MOVEMENT COMBINATION PATTERNS

| Pattern | Sequence | Effect |
|---------|----------|--------|
| Push-in | Static → Dolly in | Building intensity |
| Pull-back | Dolly in → Dolly out | Relief, release |
| Reveal | Pan to subject → Dolly in | Discovery, importance |
| Follow | Handheld tracking | Immersion, urgency |
| Sweep | Crane up → Whip pan → Crane down | Dramatic transition |

6. COMMON MOVEMENT MISTAKES

| Mistake | Why It Fails | Correct Movement |
|---------|--------------|------------------|
| Handheld for corporate interview | Unprofessional, distracting | Static on tripod |
| Static for action scene | Low energy, boring | Handheld or dolly |
| Zoom for serious drama | Amateur, distracting | Dolly (move camera, not lens) |
| Gimbal for chaos | Too smooth, wrong energy | Handheld |
| No movement variety | Monotonous | Mix static and movement |

INPUTS:

Scene description:
[E.G., "A detective enters a dark room and finds a clue"]

Emotional tone:
[E.G., "Suspenseful, tense, cautious"]

Action type:
[E.G., "Walking slowly, searching, revealing"]

Production style:
[CINEMATIC / DOCUMENTARY / CORPORATE / COMMERCIAL]

RULES:
- Static shots for formal, corporate, educational (tripod required)
- Handheld for intensity, urgency, documentary (slight shake acceptable)
- Dolly for cinematic, immersive, dramatic (smooth tracking)
- Gimbal for elegant, dreamy, flowing (perfect stabilization)
- Crane for epic, grand, scale (vertical movement)
- Zoom for reveals, emphasis, isolation (use sparingly — dolly is more cinematic)
- Whip pan for transitions, energy, disorientation (fast rotation)
- Match movement speed to emotional pace (slow = calm, fast = urgent)